A nova-velha fotografia no pós-analógico reflexões sobre a ecologia fotográfica dos meios
Article Sidebar
Main Article Content
Abstract
This work reflects on the evolution and spaces occupied by physical-chemical photography, from the daguerreotype to contemporary media ecology. If previously doomed to possible extinction due to competitiveness with digital photography, the capture on film resists, adapted to a post-analog contemporaneity. Within the New Media Ecology, the practice of physical-chemical photography is inserted into a greater wave of nostalgia in contemporary times, called “retrotopia”, which permeates arts and media such as photographic film and vinyl. In this way, we reflect on the new-old format of film capture, considering its adaptation to the post-photographic ecosystem.
Article Details
Section
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
How to Cite
References
Adams, A. (2018). The Print. Little, Brown & Company.
Adams, A. (2019a). The Camera. Little, Brown & Company.
Adams, A. (2019b). The Negative. Little, Brown & Company.
Albers, P., & Nowak, M. (1999). Lomography: Snapshot Photography in the Age of Digital Simulation. History of Photography, 23(1), 101-104. https://doi.org/10.1080/03087298.1999.10443805.
Browner, R. E. (1967). Fotografia: Arte e Técnica. Agência Editora Iris.
Evernden, C. K. (2014). Digital imperfections: analog processes in 21st century cinema [Dissertação de Mestrado, University of Lethbridge. https://hdl.handle.net/10133/3623
Fontcuberta, J. (2011). Por un manifiesto postfotográfico. La Vanguardia. https://www.lavanguardia.com/cultura/20110511/54152218372/por-un-manifiesto-posfotografico.html
Fontcuberta, J.(2016). La fúria de las imágenes: notas sobre la postfotografía. Galaxia de Gutenberg S.L.
Freund. G.(2015). La fotografía como documento social. Editorial Gustavo Gili.
Hacking, J. (2018.). Tudo sobre fotografia. Sextante.
Henriques, F., Margadona, L. A., & Gadotti, M. (2017). O pensar híbrido contemporâneo no design e na fotografia: diálogos entre o artesanal e o digital. Educação Gráfica, 21(1), 198-208.
Levinson, P. (2015). Los principios de la evolución de los medios: la supervivencia del más apto. In C. Scolari (Org.). Ecología de los medios: Entornos, evoluciones e interpretaciones (pp. 165-196). Gedisa Editorial.
Martins, N. (2014). Fotografia: da analógica à digital. Senac Nacional.
McLuhan, M. (1964). Understanding media: The Extensions of Man. MIT Press.
Oliveira, A. A. (2016). Post-Photography, or Are We Past Photography? In A. Moutinho, A. T. Vicente, H. Ferreira, J. Gomes Pinto, & J. Primo. Intermittence and Interference (pp. 68-75). Edições Universitárias Lusófonas.
Olvera, M. (2019). Disposable simulacra: The search for authenticity through the analogue viewfinder of the digital age [Tesis de grado, Texas State University]. https://digital.library.txstate.edu/handle/10877/9456
Postman, N. (1992). Technopoly: The Surrender of Culture to Technology. Vintage.
Sarpong, D., Dong, S., & Appiah G. (2016). ‘Vinil never say die’: The re-incarnation, adoption and diffusion of retro-technologies. Technological Forescasting & Social Change, 103, 109-118, www.sciencedirect.com/science/article/pii/S0040162515003078
Schrey, D. (2014). Analogue Nostalgia and the Aesthetics of Digital Remediation. In K. Niemeyer (Ed.), Media and Nostalgia: yearning for the past, present and future (pp. 27-38). Palgrave Macmillan.
Stuhl, A. K. (2014). Reactions to analog fetishism in sound-recording cultures. The Velvet Light Trap, 74, 42-53. https://www.utexaspressjournals.org/doi/abs/10.7560/VLT7405
Trigo, T. (2012). Equipamento fotográfico: teoria e prática. SENAC SP.
Valle, B. (2012). Fotografando digitalmente, pensando analogicamente: os fotógrafos migrantes. Revista Ícone, 14(2), 1-15. periodicos.ufpe.br/revistas/icone/article/view/230659/24671