Interactive Installations: applicability and inferences in the creative process of FACECODE

Abstract

Theoretical-practical research about the creative process with electronic medias involving digital poetry. The computer revolution has reinforced the visual arts, converging into glitch art, the generative art and online art. The methodology was focused in bibliographical survey, data gathering, state of the art and the separated analysis of artists’ productions, whose dealing with the investigations’ themes are related to the study of the concepts pertinent to the central idea of the interactive piece Facecode (Stefanin, 2015). Thus, the object of this work had as its premise the conceptual line of approaching the ideas of materiality, corporeality and spacial structuration, so much as temporality and interactivity.